Fame!

The first time Rik did it it was for a dare. His mates had fed him a bottle of White Lighting followed by a good third of the pinkest Watermelon 20/20, so Rik was fully prepared to take on the deed.

The brick had been one discarded by a former building left for too many years to decompose, aided by the odd storm and occasional vandal. It wavered on the edge of the once wall. It was dirty orange with patches of black. Rik didn’t consider where the black had come from. Neither did his teeth as they bit into the sharp clayey edge. His mates laughed, expecting a spluttering of broken mouth appendages, possibly followed by a trip to A&E. But that didn’t happen. They expected a lot of blood, mixed with some gum and bits of yesterday’s dinner. But that didn’t happen. They expected painful cries of why the fuck did I do that, even with a blood alcohol level of numbness. But that didn’t happen. Instead, Rik crunched his way through the unuseful construction material with relative ease, and even a bit of enjoyment. He took another one home for later. A post drinking session snack.

Since then Rik had found it difficult to give up his brick addiction. Building merchants began their regular fortnightly delivery of fresh bricks, wondering how such small batches were being made into nothing at all. Different bricks gave off different flavours. A plethora of tastes and textures. Rik became quite the expert.

As he sat in the green room of the prime time 30 plus market segment chat show, plate of complimentary pebbles next to the other guests’ boring sandwiches, Rik considered his new found fame. You never know what you’re good at unless you have a go, and sometimes going on the piss with your mates is just the place to begin.

Cheesemass

cheesemass

 

Eight pints later, the only thing he wanted was food. On his walk home he’d hazily remembered the block of mature cheddar sitting in the fridge and the last of the bread in the cupboard. Cheese on toast. Like a beer sponge, it would soak everything up nicely.

After fumbling with the wrong key for ten minutes, tripping over the same doorstep he’d tripped through for the past five years, he made straight for the kitchen, to the fridge, and wrestled the door open. The bright light glared. His gloopy eyes took a while to adjust. He searched with them. Both of them. He searched some more. His brain told him that even though it wasn’t functioning at full capacity it still couldn’t see the cheese it had been promised.

In front of fridges across the land people sat staring, looking, eager to satiate the late night craving with the reliable foodstuff of decades before. But they all agreed, it wasn’t there. No cheese. Continue reading “Cheesemass”

Garrison Hodge

Garrison Hodge

Garrison Hodge

Garrison Hodge sat in the doctor’s waiting room wearing his best suit – a used teabag colour with various historic holes and stains – and a nicotine coloured shirt, mostly tucked in, with an unnoticed tomato sauce spot accompanying the second button down. This was okay though, because he was wearing a matching tie, which would have covered the tomato blob up, had it been straight, and had the last three buttons of his shirt not been left undone so that the bulging neck of Garrison Hodge could expand fully. The amalgamating neck-a-chin, thick with unbothered stubble of differing lengths, met his huge wobbly mouth within which sat remnants of last weeks’ meals. This was overseen by a substantial nose and bulging eyes with lids eager to get that bit closer to the sagging under-face, consistent in its gravitational pull. His rhythmic heavy breathing and unusual odour had detracted a small child’s attention away from the sticky wooden train he was once so enamoured with. The child’s curious concentration abruptly snapped into a wailing cry, and his mother lifted him to her comfortable jumper.

Continue reading “Garrison Hodge”

52 stories

I heard Ray Bradbury used to aim to write a story a week. He’d ponder an idea over the weekend with a view to writing an outline on Monday. He’d allow himself a couple of days to flesh out that outline, and then by Friday expected a finished product of around three to four thousand words. Great if you’ve got nothing else to do with your time. And I’m certainly no Ray Bradbury. So with the limited time I do have to write I’m starting my first ever writing challenge: to write 52 stories, one a week, during 2017, (preferably with some kind of illustration to go with it)

 

 

Brand: Writer

anxiety_by_morrison3000-d8j3revThe dreaded workshop. Creativity on demand, under the scrutiny of other far more competent creatives. Yes, I attended a couple the other week. It took a lot of courage and many self pep talks to even get myself into the room! I spent the few days leading up to it gathering the neurotic thoughts I could find – you’re not as good as everyone else, they’ll all laugh at your ideas, you’re not clever enough, you can’t write, give up – which inevitably led to the usual anxiety attack just before leaving for the first workshop. The difference between the me now and the me I was this time last year being I ACTUALLY WENT! I didn’t cop out. I really MADE myself go. The few experiences of doing this previously had gone well, and so finally my brain has seemed to reach an equilibrium between the neurotic thoughts and the experiential evidence to show that it’s never as bad as I can very competently make out it’s going to be. I held onto that thought like a toddler with an ice-cream. Also, it’s about self-confidence *looks at self-confidence bucket, status: empty*. It’s about realising what could REALISTICALLY go wrong, and knowing that you do have the ability to get through it if it does. Unfortunately us humans must go through a few harrowing experiences to realise this fact fully, but hey, life’s a bitch on steroids sometimes.lightheaded_by_morrison3000-d9biw0q

Anyway, back to the workshops. So, I was nervous about attending this workshop full of literary geniuses. When I arrived there were 20 other people all sat round a table like the class of 1992, silent, ridged, and concentrating very hard on their pencils. After what seemed like a lifetime plus one, the teacher arrived. Sorry, ‘workshop leader’. As a plan was drawn of the names of the people in attendance and ‘just a little bit about what style of writing you do’ I could see that every single person was bricking it as much as me. Everyone feels the same in these situations. If they don’t look like it then they have years of practice behind them meaning they’re bloody good at covering it up!

Most writers I’ve come across are like this: full of self-doubt, unsure whether their audacity to fill pages of dead trees with their words is justifiable. Of course, some new writers are very confident, some rightly so, and for some it can be their downfall. A bit of humility can go a long way, and it is essential for learning and creating. As writers in the world of open communication we are expected to be brands in ourselves. We need to be personalities which our audience can buy into, like a character in a book. The thought of selling yourself as a package of writing brilliance is incomprehensible to writers, most of whom will openly admit they don’t know everything there is to know about themselves, never mind present it to the world neatly tag-lined and photo-perfect.

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Writers are natural introverts, observers rather than participators. Writers are used to hiding behind their writing. Writers want their writing to be their brand that represents them. But to the hungry wolf that is social media being a writer is not enough. sane_and_insane_rivalry_by_morrison3000-d7fc3dmWe need to form relationships with our readers before they’ve even read anything we’ve written, and we need to do it in such a way that it represents our writing style so as to fulfil our readers’ expectations when they do finally skim through the opening lines of our stories. Brand Writer must deliver what it promises.

Again, we come back to that illusive rogue, time. Having time. If I was a social media guru I wouldn’t spend as much time writing. Simple. I’m currently working on how to do both. My brain is complaining about this distraction, but I will come to a mutually beneficial compromise at some point.

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The workshops? Loved every second! I didn’t appear to cause offence to anyone, and I didn’t turn into a blubbering jellylike blob, and my head didn’t explode all over my fellow participants. Once I’d forgotten to worry about those things and became absorbed in the whole thing the time passed way too quickly and before I knew it I was leaving that once terrifying room feeling self-sanctimonious, telling myself that I told myself it would be all right, didn’t I, hmm?

It was great to hear what others were writing, and it was great to come up with ideas amongst such creative people, even if certain ideas wouldn’t pop forth on demand. It didn’t matter. It wasn’t a test. It was for us workshopees to learn something. The stuff I did come up with inspired a whole new story with a great character I can hardly believe I created, and I was able to grasp a sense of where my particular comfy cushion of ‘Me’ sits within the writer population. I know more than I think I do is really what these workshops taught me, and I should have confidence in this fact. I came away from my two days of learning feeling super confident about my writing and where I’m going with it. I decided, in comparison (as humans do) that I’ve actually got a head start on some, and that my slight apprehension about attending things like this is actually a good thing: I go there feeling I don’t know everything, and that’s exactly how it should be.

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All artwork by Dolores A Morrison. Please check out this fab artist here…
http://www.doloresmorrison.com
http://morrison3000.deviantart.com
https://www.facebook.com/Morrison3000Art/

What the Hell am I Doing?

Good question. I’ve been writing various things for ages, with no real focus or theme. Really just enjoying myself. But I’ve decided enough is enough, I have to take this thing-wot-I-do more seriously, even if it’s just to get my mother off my back asking me why I can’t write something like Jane Eyre. So, I’m kicking my insecurities and those who gift them to me up the proverbial back passage and exposing a full frontal bucket load of confidence by sorting my ‘stuff’ out. This starts with stopping something. Stopping giving away my writing for free. Yes, I’ll blog (much more often, I promise), and there may be the occasional bit of creative writing shoved in here and there, but the point is I need to get something published.

Now you know the situation, here’s the question. I’ve got a few dark/freaky fairy tales sitting patiently waiting for others to join them so that I can publish a full themed collection. I’d like to illustrate them too. I’ve also got a book sized story on the go. Not one for giving myself an easy time, this story has required a full world building exercise which has all been dumped in a wiki of its very own. I have some characters in mind, but they’re no way near developed to the point of clarity, neither is the plot line. I basically have a lot of narrative, most of which I don’t want to use as narrative. So there’s two projects, and deciding which one to dedicate time to is really annoying! The fairy tales is a bit more developed, well rounded, focused, easy to see the step by step process kind of project. The book isn’t. So my kind of logic tells me that I should focus on the fairy tales, get it finished, get something produced, and then start all the marketing malarkey, then I’ve got ‘something’ to show. Whadda you think?

Another part of sorting my ‘stuff’ out is sorting out this site, my ‘platform’ (I went to a ‘marketing your book’ workshop this weekend, so I know aaaallll the lingo now ;)). I’m spending this afternoon taking off the miserable ranty stuff, all the complete stories that I want to do something with, and generally giving it a good ol’ clean out. So it may seem a bit thinner than before, but…well…tough! I’m reassessing my social media presence too. I’ve spent some time away from it over the past few months and I’ve really, thoroughly enjoyed not getting caught up in the global distraction of narcissism and 2D ‘friendships’. It’s only with a massive reframing of the purpose of social media that I’m venturing back to it, now with my I’m-A-Writer face on. I was going to start completely afresh with a new Twitter and Facesplat account, but, thinking about it (I’m good at that y’know), I’ve decided it would be silly to neglect all you wonderful people who’ve already been so kind as to mark your interest with a ‘follow’. I hope to take you with me on my meander through this insane world of the business-of-writing from the point of view of a business-of-writing-phobe. I’ll probably need your unending support and proclamations of adoration in difficult times, but I won’t write about you if you don’t (maybe). Just a ‘like’ or maybe a ‘buy’ would be as good *smiling sweetly face*.

So, all change, but all good. Thanks for sticking around Thinking Chimps!